![]() With the 3 pulleys it comes to about £10 for supporting one roll of paper. ![]() ![]() It just needs a few yards of polyester yacht rope, a wooden pole/dowel slightly longer than the paper width, and a nice heavy brick to act as a counterweight. I hang mine on a block and tackle arrangement of my own devising, just as I have in professional studios across 40 years of shooting. That said, if you're looking for something stationary for in-studio use, a set of simple wall brackets (like the Amazon link above) will be lower profile and reduce clutter on the floor. Cost: about $10 per roll, most of that being for the lock pins. It's portable with the rest of my gear, the stands are useful for lighting when not using backgrounds, and the PVC rod stores / transports in the background paper tube. for decent basic ones, if you need new)ĭrill 3 holes near the top of the pole (one per roll), spaced about 4-5 inches apart (slightly more than one roll's diameter)ģ" longer than the backdrop roll (1/2", Schedule 40)ĭrill a hole at each end of the PVC and use a lock pin to attach it to the lightstands: Inspired by a commercial rod that mounts to the top of light stands (but it only held one roll):Ģ regular light stands (~$40ea. I settled into a hybrid solution, not too far from Zack Arias' suggestion. It's bulky, unstable, more work than it's worth to build and setup/teardown, and looks amateur.) Than buy something expensive? will you show me some photos of howĪ bit of do-it-yourself, but better than hacking together a PVC frame. Did you come up with your own method of hanging your paper rather
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